When you grow up you realize that there isn’t really any Santa but the monsters are still around. – Anna Quindlen
Now, I’m not talking about the use of Santa in advertising; despite what some anti-Santa Christians claim, he was not pushed as a symbol of commercialism, but rather the opposite: advertisers used his image precisely because it was a beloved and instantly-recognizable one with strong positive associations. For example, Coca-Cola started using Santa Claus in its advertising in the 1920s because the company experienced a sharp decline in sales over the autumn and winter; Coke was widely viewed as a warm-weather beverage and so Santa – associated as he is with snow and midwinter – was picked to put the idea into people’s minds that the soft drink could be enjoyed in cold weather as well. It was only after the ads proved so popular that the company decided to publish them every year, and in 1931 the highly-regarded commercial illustrator Haddon Sundblom was hired to make the rather stern-looking Santa of the first few spots more “jolly” in keeping with the way he was described in Clement Moore’s “A Visit from Saint Nicholas”. But these paintings neither damaged nor subverted Santa’s reputation; in fact, they established Moore’s description of Santa (with a strong Thomas Nast influence) as the image of the “jolly old elf”, even in the minds of people who never drank Coca-Cola. The Santa-haters claim that Sundblom was ordered to make Santa’s suit red and white because they were Coke’s colors, but this is specious humbug; though it is true that earlier illustrators had sometimes depicted him in green (like the traditional English costume of Father Christmas) or more rarely in other colors, red was always the most common in the New York tradition inherited from the Netherlands, where Sinterklaas wears the red robes of a bishop.
But though these over-the-top perversions are annoying, they are ultimately no more damaging to Santa’s image that any of the thousands of commercials that use it every year (as evidenced by the disappearance without trace of that “Santa’s divorce” abomination). They can’t hold a candle to the most twisted misuse, namely that of the Salvation Army. It may be that most of the money collected by their ubiquitous bell-ringing counterfeit Clauses goes to the poor as promised, but even if that’s true the campaign frees up other funds (which might otherwise have to be used for the poor) to be spent on hateful persecutions of those whose sexual behavior offends the Salvationists. The beloved image of the bringer of peace and joy is used to trick people into supporting a movement which believes some people deserve death for sexual preferences, and the bearded visage of the patron saint of whores disguises a crusade to wipe us out.