October Country, that country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain… – Ray Bradbury
My 2011 essay “Moondance” was mostly an examination of the psychological and philosophical consequences of modern people’s disconnection with nature, but it also included the following:
October usually enjoys a particular sort of cool weather, a crisp breeziness quite unlike that one might experience on an early spring day or a comparatively warm winter one; this is October Weather, my name for that special atmospheric condition I associate with turning leaves and the imminent arrival of my birthday. In New Orleans I was often cheated of it…but when [it] did arrive I was filled with a sort of wild, witchy joy; I wanted to stay out late, to suck the fragrant air into my lungs and fly through the night under the harvest moon with my hair streaming behind me. As a young teen I often sneaked out in the middle of the night to enjoy such weather, and after I arrived at UNO I would wander about the campus on such evenings or ride my bicycle to midnight movies…And though as I age my reaction to October Weather isn’t nearly as strong as it was in my teens and twenties, on clear, cool October nights I still feel the urge to go out and dance in the dry leaves under the moon.
