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Posts Tagged ‘The Essential Maggie McNeill’

Last week was one in which a number of things fell quietly into place.  I was able to get all my courtesy copies (and several autographed sale copies) of The Essential Maggie McNeill, Volume I sent out, and got it added to my store as well; I also got most of the editing done for Volume II, and this week I plan to add The War on Whores DVD to the store.  I made backup plans for Florida should the Tampa event fall through, got out to Sunset to celebrate Imbolc by making a big pot of gumbo, and helped Grace do a lot of the trim for my bookcases.  Also, she had a good discussion last week with a young man who’s going to be doing a lot of the actual crawling-under-the-house part of the floor leveling project, and they’re both ready to start that as soon as the ground is drier (we recently had several weeks of really heavy rain out there).  Readers who’ve been following that saga know it’s been put off several times over the past two years, so it’s nice that it’ll be happening at last.  Then the day before I left for Sunset last week, I received another book in the Shaver Mystery set from a reader whom I believe prefers to remain anonymous.  I was already familiar with a lot of the Amazing Stories Shaver covers because I enjoy that sort of thing, but was rather pleased to see this reproduction of one I’ve never seen before on the back cover (because one can never have too many Snake Mama pictures).  Oh, and I have a new article in the current issue of Reason.  Is that everything worthy of public note?  I think so, but if not I can always mention it next week.

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Have you ever wondered what the numbers in the diary title refer to?  Unless you’re terribly unobservant you’ve probably realized that each week’s number is the same as the Links column which follows it; that’s because they both refer to the week rather than the number of entries in that category (which for both is somewhat below 500).  In other words, this is the five hundredth week of this blog.  Every day for the last 500 weeks I’ve published a new column, and even though many are now news columns, link collections, or adaptations of Twitter threads, that’s still an awful lot of essays (over 3500 now, altogether).  I’ve never been paid for any of it, nor have I paywalled or intrusively-monetized the site, and I don’t intend to; however, I think it’s time I got at least some compensation for an awful lot of time, effort and brainpower.  That’s why I’ve started gathering my best work into collections; The Essential Maggie McNeill, Volume I came out last week, and you can buy it on Amazon; if you prefer a signed copy, I just got a box in yesterday and I’ll be adding it to my store today.  I’d appreciate it if those of you who appreciate my writing would both buy it and review it, because that’s how things get marketed on Amazon.  And now that I’ve figured out how to turn preparing these collections into a routine, I should (with any luck) be able to turn them out on a regular basis.  I’m already almost halfway through with the primary edit for Volume II, and Shannon Reeves & I have already planned the next cover; I don’t foresee any difficulty in getting it out in April as planned.  Then I’ll start compiling my next project, Ask Maggie, a two-volume collection of my advice columns, followed by a compilation of all my harlotographies and, if there’s sufficient demand, a third volume of The Essential Maggie McNeill, collecting my best essays from 2016-2019.  With any luck I can start making an appreciable income on books every month; if even one breaks out into general notice, the rest will follow.  And the more income I can be sure of every month, the more energy I can put into writing and speaking.

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Those of you who follow me on Twitter probably noticed that I started tweeting awfully early Saturday morning, and awfully late on Sunday afternoon.  That’s because I flew out on Saturday for an overnight with one of my favorite gentlemen, and was too busy enjoying my visit to tweet until I got to the airport to come home on Sunday.  And it was such a lovely and memorable visit that I managed to stay completely calm on the way back even when it looked like I was going to be pushed off of my flight due to what I believe to have been a mass invasion of conventioneers or some such.  But apparently Hermes is happy with me right now, because I got on both legs of my return trip despite that.  Even better: it looks like I’m going to be seeing a lot more of this particular gent than I have in the past, and that makes me very happy for all the reasons you might expect (and a couple more I won’t mention).  On top of that:  As I mentioned yesterday, The Essential Maggie McNeill, Volume I is out!  If you want an autographed copy, I’m going to be adding that to my store very soon (likely tomorrow, because I have a Who night with Lorelei tonight).  I’m not going to jinx things by dwelling too long on how well things are going for me right now, but I had to at least share the highlights with y’all, and hope I have plenty more like them this year!

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At long last it’s finally here!  I first mentioned my plan to write The Essential Maggie McNeill in my New Years’ Eve column for 2013, before many of the essays which are included in the final version were even written.  At that time I imagined I’d have it done by summer of 2014, but of course I decided to do a book tour during that time instead, then one thing led to another.  By the end of ’14 I had a title but nothing else; after March of ’15 the project sort of fizzled and by the time I mentioned it again over a year later I was already working on The Forms of Things Unknown.  Then it was two years after that (ie, about 18 months ago) before I finally started working on it in earnest, and I mention in the foreword that I wrote it on July 9th, 2018…at which time I told y’all that it’d probably be available in August.  Unfortunately, I’m not nearly as good with graphics as I am with words, so though the text was quite ready by August, I could not manage to create a cover that worked (though you may recognize the photo in this mention of the project).  Because I’m very competent at most things, I’ve never really learned how to deal with tasks that are difficult, and I’m not proud to say that my usual strategy for coping with such things is to put them off and hope something changes.  A year ago I hit upon the idea of letting someone else do the cover, but didn’t know who; Chester Brown has been busy with a big project of his own, and I don’t want to keep imposing on him anyhow (though I will when it comes time to publish my next fiction collection, Lost Angels).  Finally in November I decided to get Shannon Reeves, the young Canadian artist who did the artwork for The War on Whores; Paul Johnson put me in touch with her and she was able to design and create a lovely cover in a very short time!  Now here’s the good news:  we’ve already got a plan for the cover of volume II, and it’s already formatted and waiting for editing.  So barring some kind of disaster, that one should be ready in April, and Shannon’s already agreed to do covers for two collections of my answers to reader questions which I hope to get out in summer and autumn.  Yeah, I know, I don’t have a great track record on these, but once I get into a groove I’m usually fine.  In the meantime, y’all can inspire me by buying volume I at Amazon; the Kindle edition is here if you prefer that, and autographed copies will also be available on my store by the end of this week!

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It’s kinda nice when I can keep things moving along for a change.  We’ve got the trim for the bookcases; I’m waiting for the proof of The Essential Maggie McNeill, Volume I; I’ve made my travel arrangements for this weekend; and I’m starting to figure out my schedule for February (about which I’ll say more later).  And in addition to all that I managed to read a novel and listen to a rather strange but very entertaining radio serial from 1972 named The Fourth Tower of Inverness, which Chekhov gave me for Christmas (he also gave me the sequel, Moon Over Morocco).  Normally it would be difficult for me to sit and listen to such a long series, but I’ve driven to or from Sunset five times since receiving it, and the car has a CD player, so ta-da!  If you’ve ever heard the series you’ll understand when I tell you I kinda wish I had listened to at least some of it stoned, but I’ll have a chance with the sequel (which I’m told is not dissimilar).  Learning to relax and let go of stuff that stresses me out has been a long, slow, laborious process, but I’m getting there, and it’s lovely when people give me gifts that help.

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I drove back from Sunset last Thursday to find a couple of gifts waiting for me; one was a book named A Strange Manuscript Found in a Copper Cylinder, sent to me by Jeremy Dunn.  I had a rather quiet weekend (except for going to a special Doctor Who screening on Sunday with Lorelei); aside from writing and getting stoned (because I believe in keeping Christmas going for the full twelve days if at all possible), I did a bit of planning for an upcoming overnight with one of my favorite gentlemen, and I finally got the cover art for The Essential Maggie McNeil, Volume I completed!  I originally planned to use a photo, because I wanted a different style of cover for my non-fiction books.  But we just couldn’t get any photos to work, so Shannon Reeves (who did the art for The War on Whores) did a sketch based on one of my photos instead.  I think it came out very well, and as soon as I’m finished examining the proof the book will at long last be ready for sale!  So I should be announcing that soon.  Because, as I mentioned last week, Grace has been in poor health, I decided to run back to Sunset for one night earlier this week so she wouldn’t have to be alone for such a long stretch; while I was there we did two more bookcase units, which completes the main work for that set of shelves.  Chekhov will be back tomorrow, so they’ll start on the finish work and staining, and before much longer I’ll have a real library again!  We want to do a few more sets of shelves for DVDs and CDs, then after that Chekhov is going to put new flooring down (the existing flooring is 90 years old and quite worn), and then Jae will do the rest of the decorating; by spring we’ll finally have the main room finished.  And after 25 years of waiting to have a nice place of my own again, that’s going to feel so wonderful I’m honestly not sure how I’m going to react to it.

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While the snow was on the ground (and the cars, and a lot of other things) it was remarkably quiet; for days I barely heard any traffic noise, and my neighborhood at least was blissfully spared the periodic nuisance of testosterone-addled cops blaring their sirens to run red lights in the middle of the night.  And strangely, my emails and other channels of communication were also fairly quiet.  But as soon as the snow started melting, everything started back at once, and I was inundated with correspondence and other stuff to do.  But one of those things was planning future showings of The War on Whores, so that’s good; we’re already looking at screenings in Orlando, FL, Minneapolis, MN, and Washington, DC, and would love to hear from you if you can help us show it in another city!  Finally, it shouldn’t be much longer before I release The Essential Maggie McNeill, now that someone else has taken over producing the cover.  See, I told you I was serious about letting others taking care of the stuff I’m not good at, so I can just concentrate on being Maggie McNeill.

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Things are definitely moving forward on my various projects!  My documentary, The War on Whores, will premiere at 7:30 PM on Saturday, March 2nd at The Rendezvous on 2nd Avenue in Seattle; after that I’ll be looking for sponsors for screenings all over the country, so if your organization (activist group, school, etc) would like to do that, let me know.  I’ve also been talking to Thaddeus Russell about some projects we’re going to do together, and he offered his graphic designer to help me finish the cover of The Essential Maggie McNeill.  My inability to complete it myself is the reason it has been delayed for several months, and I’ve been talking to Thad about ways to delegate stuff (like cover design) that I’m bad at, so I can be free to write, speak, interact with people one-on-one, be fabulous, and all the other things that I’m good at.  I’ve been working on cutting things that drag me down and annoy me out of my life, which is why I don’t answer cold voice-calls any more; my recording suggests sending a text, so when someone tries to call but doesn’t follow up with  text, I know that I just avoided another time-waster.  And that gives me more time to do things I like, such as writing and getting presents like these snakeskin leggings from Nattie Roman.  And meeting my fans by travelling around the country!

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Christmas is over and carnival has begun, which means my nails have gone from red to purple and my wardrobe from autumn & Yuletide to late winter colors (and once February arrives, that even includes pink).  Yeah, I’m pretty persnickety about seasonal colors; as a kid in New Orleans I always wished for seasons, and now that I have them I intend to observe them.  On a different subject, we’re just about done with the editing of my documentary, The War On Whores; we’re premiering it at this year’s SASS (less than two months away!) and then we’ll be opening up for screenings.  So if you have a group which might like to sponsor a screening in your city, you might want to start thinking about that.  And I might want to start thinking about getting off my derriere and putting the last touches on The Essential Maggie McNeill, which I’ve shamefully neglected since September for no reason I can adequately explain to my own satisfaction.  Such is the life of a neuroatypical writer sans externally-imposed deadlines; I’m trying to learn not to beat myself up about it.

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Though it took longer than usual, my brain has now downshifted into autumn mode and I’m enjoying the lovely cool, dark, rainy Seattle weather. I’ve done two duos with Lorelei in the past week and we have another set up; I published a new story, have some friends coming over for my birthday tomorrow, and in a few days Daylight Mismanagement Time will be over and I won’t have to endure the sun while I’m eating dinner.  Paul Johnson is in the final stages of editing The War on Whores, and we’ll be shooting a cover image pretty soon; I think I have the energy to finally get The Essential Maggie McNeill out; and I’ll be announcing another big project pretty soon.  The “authorities” want sex workers to shut up and play the part of damsels in distress for their melodramatic morality play, starring cops and politicians as the heroes; instead, I’m going to proclaim the truth even more loudly, and pretty soon I’ll be asking for the help of all my readers to do it.

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