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Posts Tagged ‘nostalgia’

You’re about to die, my friend.  –  Tyler Longman

Here’s another Doctor Who novelty song, recorded as a publicity tie-in for the 1965 Doctor Who and the Daleks movie starring Peter Cushing; the singer, Roberta Tovey, played Susan in the film.  The links above it were provided by Mike Siegel, Cop Crisis (x3), Walter Olson, and Mistress Matisse, in that order.

From the Archives

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I cross the void beyond the mind
The empty space that circles time
I see where others stumble blind
To seek a truth they never find
Eternal wisdom is my guide
I am the Doctor.
  –  Jon Pertwee

Here’s another specimen of the subgenre of novelty songs recorded by the stars of hit TV shows, this one about one of my all-time favorites.  The links above it were provided by Jesse Walker, Franklin Harris, Jesse Walker again, Desiree Alliance, Wendy Lyon, Lucy Steigerwald, and Cop Crisis, in that order.

From the Archives

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All I could do was bend over and duck.  –  Lecresha Murray

Here’s another 1960s novelty song recorded by the stars of a hit TV show, in this case Patrick Macnee and Honor Blackman of The Avengers.  They’re not really in character, though of course Blackman’s character Cathy Gale was definitely an afficionado of “kinky boots”.  The links above the video were provided by Jesse Walker, Tim Cushing, Brooke Magnanti, Thaddeus Russell, Emma Evans, Cop Crisis, and Mike Siegel, in that order.

From the Archives

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We are quicksilver, a fleeting shadow, a distant sound…our home has no boundaries beyond which we cannot pass. We live in music, in a flash of color…we live on the wind and in the sparkle of a star!
–  Endora (Agnes Moorehead)

A couple of years ago I rewatched Bewitched, a show I always enjoyed in my youth but hadn’t seen since the early ’80s.  I’ve always thought Elizabeth Montgomery was an excellent actress, but this time the magic of cannabis (which slows down my hyperactive nervous system so that I can really watch these shows in a way I’ve never been able to before) opened my eyes to just how talented she really was; she could convey so much with just her facial expressions and vocal manner, and her comedic timing was brilliant.  But beyond that, I saw aspects of the show itself that were previously opaque to me.  I’ve always recognized that many of the episodes are veiled commentaries on racism and other forms of bigotry; that was typical of the 1960s, when fantasy and science fiction shows could sneak controversial issues past uptight sponsors and network censors by disguising them as the stuff of alien worlds or magical happenings.  When Samantha angrily denounced ugly witch stereotypes or mortals’ fear of those who are different, the perceptive viewer understood what the show was really saying.  As I grew older, I realized that there was also a more-deeply-buried queer subtext which was too radical even for most contemporary viewers who thought of themselves as liberal:  beside the fact that several of the principals were played by gay men, Samantha had to hide her true nature in order to exist in the judgmental mortal world, and only in the company of other witches could she really be herself.  Furthermore, those mortals were willing to hunt, persecute and even burn those like her merely because they were different.  But queer people weren’t the only sexual minority violently persecuted and actively hunted by 20th-century puritans; while I’m sure it was unintentional, sex workers can also see ourselves reflected in this magic mirror.

When I last watched the show, in my late teens or very early twenties, I naturally identified most with Samantha.  But on this rewatch, I found myself identifying with her mother, Endora, due in part to her age, in part to her unique personal style, and in part to her attitude toward her daughter’s marriage.  I’m old enough to have a daughter in her twenties or early thirties, and I can certainly understand how I’d feel if she married a man I thought wasn’t good enough for her.  But it goes beyond that: the association between sex work and witchcraft is a very old one, and even today many sex workers metaphorically describe our work as “magic” (not to mention the many sex workers who actually do specifically practice witchcraft, though obviously not the fantasy TV variety).  Endora’s chief gripe with her son-in-law isn’t really that he’s mortal; it’s that he wants to rob her beloved daughter of her birthright by forcing her to eschew magic and submit to mortal drudgery.  And every time I heard her say this to Samantha (in quite a few episodes), I imagined how I would feel if my beautiful daughter gave up a successful career in sex work to marry a “dumbo” who demanded she renounce her heritage, shun her whore friends, and work a shitty square job when she could make far more with far less effort by doing what she’s good at instead of letting herself be limited to behavior that doesn’t make dreary, unimaginative authoritarians uncomfortable.

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Most of my regular readers know that I stay pretty busy all the time, and that it’s difficult to get my brain to slow down.  I can’t just say “I’m going to relax and watch TV tonight” as most people can; my inner nun starts guilt-tripping me about idleness and all the stuff I need to accomplish, and if I could even get past the string of compulsions sometime before 10 PM (“I’ll relax right after I wash these clothes.  Oh wait, let me do the dishes.  Damn, I didn’t answer those emails.  I have to remember to pay my taxes too.”) I’d still be overwhelmed by feelings of guilt.  I’ve grown better at it over the past three years, but it’s still so difficult that such downtime is extremely precious to me; accordingly, like hard-earned money, I don’t want to waste it on just any old thing.  Imagine you were in a restaurant, but only had a little cash and were quite hungry; would you order something you’ve never heard of before and had no idea whether you’d like?  Or would you order a dish that you had eaten before and knew was both delicious and filling?  If you’re anything like me, the answer is obvious.  That’s why I’m not really interested in trying out new television shows unless they’re short, highly-recommended and part of a social experience with a friend or friends; even if I don’t end up liking the show, I only used a few hours and I enjoyed the social experience anyway.  No, if I really want to relax, I go with old favorites I’ve seen before, especially if I’ve never seen all the episodes or it’s been so long since I’ve seen them it’s almost like watching something new (except I know I’m going to enjoy them).  Shows like that are like old friends; since I know what to expect, I won’t be disappointed.  And in a life that has been burdened with far too many disappointments and far too little comfort, the best surprise (as the old commercial said) is no surprise.

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The venerable British science-fantasy series Doctor Who has been one of my favorites since it first appeared on our local PBS station (WYES in New Orleans) in the summer of 1981; like many Americans of my generation, the first episodes I saw were those starring Tom Baker as The Doctor, which originally ran from 1974-81.  But as most of you probably know now, he was only one of many actors to play the part, because when a Time Lord (that’s the alien race to which the Doctor belongs) dies, he regenerates into a new form, with a new face and a new personality.  When WYES realized how much pledge money the series brought in, the station naturally did its best to acquire as many seasons as possible; at one point they were playing the Fourth Doctor episodes (starring Baker) on Saturday night, the Third Doctor episodes (1970-74, starring Jon Pertwee) on Friday night, and the then-new Fifth Doctor episodes (1982-84, starring Peter Davison) on Sunday morning.  Eventually they even got ahold of as many of the 1960s episodes featuring the first two doctors as were then available; it was then I discovered that many of these early shows were missing, casualties of lean times at the BBC which caused many of them to be taped over because videotape was expensive and newer shows had to be recorded on them.  In the decades since, some of the missing episodes have been discovered in various places; others have been reconstructed with animation or stills from the original soundtracks (which all managed to survive).  What that means is, with some effort and ingenuity it’s now possible to watch the entire show from 1963 to the present, and last month Grace and I decided to do just that.  Lorelei Rivers is a Who superfan, and graciously allowed me to borrow her complete classic collection; we’ve already watched the first two seasons and soon we’ll move on to the Second Doctor, the one I’ve seen the least of.  Back in the ’80s, I loved watching the series with people who were dear to me, and prior to the pandemic Lorelei and I regularly enjoyed our Who nights; it’s great fun to see them again now with Grace.  And I’ve even started a running Twitter thread on my impressions of the old shows, which despite being less sophisticated than their modern counterparts are still a helluva lot of fun.

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I can’t breathe.  –  Cindy Falco DiCorrado

I was recently reminded of this December 1972 bit from Sesame Street, which manages to be extremely funny despite being totally sweet and wholesome.  The links above it were provided by Popehat, Dave Krueger, Jesse Walker, Phoenix Calida, Franklin Harris, Rick Horowitz, and Dave Crisp, in that order.

From the Archives

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I can’t breathe! I’m gonna die, help!  –  Stephen Dolceamore

The great Diana Rigg died late last week, and though I could’ve moved things around I preferred to honor her with a video as well.  UK readers may not ever have seen the “chessboard” intro, which came before the main credits in the US for the 1966 season, the first one shown in the US.  The links above the video were provided by Franklin Harris, Zuri Davis, Elizabeth N. Brown, Scott Greenfield, Cop Crisis, and Robby Soave, in that order.

From the Archives

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I can’t breathe.  –  Daniel Prude

It’s hard to believe that today is already the 21st anniversary of the greatest disaster in human history, when we lost the Moon to a bizarre nuclear accident.  What, you don’t remember that?  The video below may help.  The links above it were provided by Mistress Matisse, Cop Crisis, Popehat, Billy Binion, Amy Alkon, and Popehat again, in that order.

From the Archives

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Though I’ve always loved old-style science fantasy, I have an especial love for “lost race” and “lost city” stories, in which a modern (i.e., 19th or early 20th century) hero stumbles upon some ancient (and often previously-unknown) race of people hidden away in some remote part of the globe, cut off from contact with the modern world by some kind of natural barrier such as a treacherous mountain range, an impassable desert, a dangerous jungle, etc.  The works of Edgar Rice Burroughs are full of tales of such hidden places, and A. Merritt’s entire oeuvre consisted of them; Wakanda from the Black Panther movie is a famous example, but as one might expect they’re not common any more for the simple reason that global satellite mapping has made the concept of such a hidden land unbelievable.  Recently, I received as a gift the mid-19th century novel A Strange Manuscript Found in a Copper Cylinder, which describes a lost civilization in the Antarctic; Amazon then helpfully informed me that Richard Shaver’s weird tales, out of print since the ’40s, are now available again in paperback.  Of course I had to put them on my wishlist, and a kind gentleman has already sent me the first volume.  But since most of you probabably have absolutely no idea what the hell I’m talking about, I’ll give you a quick synopsis.

Richard Shaver was an unemployed (and probably schizophrenic) Pennsylvania welder who believed that the Earth had once been ruled by a powerful humanoid race who discovered that they were being poisoned by solar radiation, and so moved their entire civilization underground.  They later decided to abandon the Earth entirely, fleeing to an apparently-healthier star in a huge fleet of spaceships and leaving the weak and inferior behind to give rise to modern man.  But their former slaves remained in the cities, degenerating into beings Shaver called “Deros” (short for “detrimental robots”) who were wholly evil and perverse and delighted in using the machines left by the ancients to inflict all sorts of harm on the descendants of their former masters.  They had various rays that could drive people insane (causing mass shootings and the like) or cause earthquakes and other natural disasters, and they used these for their sick idea of fun.  But their most terrifying behavior was to occasionally venture to the near-surface (subway tunnels, basements, etc) to abduct hapless surface-dwellers (especially women, of course), whom they would then use as sex slaves in sadomasochistic orgies in their underground cities.  Shaver wrote a plethora of stories based on this mythos, and from 1945 to 1948 he was the most popular writer in the pulp magazine Amazing Stories, whose editor Raymond Palmer (a bit of a latter-day Barnum in his way) promoted the tales, which Shaver insisted were true, as “The Shaver Mystery”.  Readers who preferred harder sci-fi (among them the young Harlan Ellison) criticized it instead as “The Shaver Hoax”, and eventually interest declined enough for Palmer to drop the series.  But while Palmer was a showman out for a buck, poor Shaver really believed in his fantasies and continued to (intermittently) self-publish a magazine called The Hidden World for most of the ’50s.  From the early ’60s until his death in 1975, he then devoted himself to photographing and painting what he called “rock books”, mineral formations he believed were something like primordial solid-state memory crystals in which the ancients had stored images and data with something like a laser (ironically, interest in his images of these “books” has increased since the early ’90s, and there have been a number of exhibitions of his work in this century).

I’m not just telling you all this as an amusement; as usual, there’s a connection to my larger body of work.  Whenever some kind of crackpot idea gets into the popular culture as Shaver’s did, there will always be people who embrace it to a near-cultic degree; compare the recent popularity of Zecharia Sitchin’s ideas about the alien Anunnaki from the planet Nibiru.  Shaver was no exception, and though his mass popularity faded in just a few years, “Shaver Mystery Clubs” continued throughout the ’50s and into the ’60s (and some may still exist, as far as I know).  But consider the basic elements of the Shaver mythos:  evil, malign sexual perverts with mysterious powers lurking around the world, abducting women in large numbers to use as sex slaves in hidden underground lairs.  Sound familiar?  How about if I tell you that Shaver claimed that he had been a prisoner of the Deros from 1934 to 1942, and that during the height of the “Mystery”, Amazing Stories printed a letter from a woman who claimed she had been captured by the evil creatures in a sub-basement in Paris and kept as a sex slave for several months until she escaped?  As I explained in “Imagination Pinned Down” and “Mind-witness Testimony“, some humans have always reported abduction (usually sexual, often with strong BDSM overtones) by and captivity among beings such as nymphs, fairies, goblins, witches, Deros, aliens, Satanists and “sex traffickers” with mind-control powers.  And while they serve as a good basis for fascinating tales and entertaining fantasies, they’re a terrible and dangerous foundation for public policies.

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